{"id":2148,"date":"2014-11-19T07:56:52","date_gmt":"2014-11-19T12:56:52","guid":{"rendered":"http:\/\/hilbertthm90.wordpress.com\/?p=2148"},"modified":"2022-06-21T12:34:02","modified_gmt":"2022-06-21T17:34:02","slug":"composers-you-should-know-part-2","status":"publish","type":"post","link":"https:\/\/amindformadness.com\/2014\/11\/composers-you-should-know-part-2\/","title":{"rendered":"Aaron Jay Kernis: Composers to Know"},"content":{"rendered":"\n

This week’s composer to know is Aaron Jay Kernis. <\/p>\n\n\n\n

Recall that I’m trying to expose people to important living and working composers they may never have heard of. I’m not so sure about today’s choice, because in my circles he is a name people know.<\/p>\n\n\n\n

Aaron Jay Kernis<\/h2>\n\n\n\n
\"aaron<\/figure><\/div>\n\n\n\n

Aaron Jay Kernis is someone you must familiarize yourself with if you haven’t heard of him. He studied under John Adams at the San Francisco Conservatory and with several other people at Yale and the Manhattan School of Music. <\/p>\n\n\n\n

He has won more prizes, awards, and commissions than anyone I know of.<\/p>\n\n\n\n

Let’s not focus on that stuff and instead get to the music. Stylistically he is often said to be neo-Romantic or post-Romantic with some minimalist influences. I’m not sure I agree, or could even explain what that is supposed to mean exactly.<\/p>\n\n\n\n

The key thing I love so much about his music is how unfamiliar and original the chord progressions and melodies are without losing musicality. You could always create something new by using some random process to make the note choices for you, but that is the furthest thing from what is happening here.<\/p>\n\n\n\n

His Compositions<\/h3>\n\n\n\n

Despite being engaging and interesting from the originality standpoint, the music still can be moving or heartrendingly beautiful. <\/p>\n\n\n\n

This is remarkable because so much of music composition is setting up expectations and using familiar ideas to elicit certain responses in people. Kernis has the ability to do this after throwing away the conventions.<\/p>\n\n\n\n

He is a magnificent orchestrator. He often produces wonderful and strange textures that are in constant flux and propel the music forward. The piece I’d recommend to hear all of these aspects is the second movement of the Second Symphony. <\/p>\n\n\n\n

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